Hayley williams josh farro dating article
Maybe it’s time for me to go find that.” But after she left, Taylor York — her principal songwriting partner and, with Justin Meldal-Johnson, the co-producer of After Laughter — started sending her unfinished tracks just to see what would happen. “We both had doubts, and we had unity in that,” Taylor says. But I just kept writing, and then there was this time that she got it again.” Hayley started riffing off of his instrumentals and ended up writing a melody and lyrics for “Forgiveness,” the first song of what would become After Laughter.
They continued to create in this way, with Taylor sending her basic ideas and Hayley letting loose on top of them. In Nashville, Hayley and I pull up to a juice bar, and, over smoothies, I tell her how impressed I am at her easy sociability considering she’s been processing some difficult things, even death, on After Laughter.
With the dyed crimson hair of a comic book superhero and a forceful voice that she used to scream more than sing, she became a teenage rock star and an icon to emo and punk kids all over the world.
On skittish Paramore tracks like “Emergency” and “Misery Business,” she proved herself to be a sensitive and poetic lyricist, writing songs about growing up, first love, and first heartbreak, always with a sense of strength and excitement.
, she hits me with a hug and just about the biggest smile you could ever hope for.
We’re at a ramen place in her hometown of Nashville, gabbing about the corn fritter appetizers between us, sipping tea, with Hayley propping her two feet, encased in glittering low-top Vans, on the chair next to her.
This melancholy is different than her teenage problems — it’s more reflective, adult, debilitating.
“She said, ‘Can I trust you to be home by yourself four days a week? And I will write songs all day.’” Because she was such a loner, her mother increasingly encouraged her to join a full-time band just so she could make friends.
Hayley agreed, partly because of how much she loved Hanson: “Three brothers that play music together? I was like, ‘I want that.’” At the homeschool program, she met brothers Zac and Josh Farro, who, though they were about 11 and 14 respectively, had already recorded some songs. “Growing up listening to pop and R&B music, and then being thrown into their world, where I’m listening to Elliott Smith and Radiohead and Deftones, I was like, ‘What do I do with this?
I’ve never tried to write music like this,’” she remembers.
“[But] Zac started playing a drum beat, and all of a sudden it became this song called ‘Conspiracy’ that’s on our first record.